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I’ve been a full-time artist photographer since 1973 and this website will eventually cover that whole time period. For now, I’ve started with some 21st Century photographs from various travels and I’ll slowly continue to add to it with older and newer projects.
I finally have actually finally gotten around to adding a pair of older shows to the website, Argentina & Brazil and Song of the Road. I came across their ancient (20th Century) scans on my computer, so here they are. I have also posted an online exhibition (“the party’s in the kitchen”) celebrating the excellent photographers who were not among the top 175 in Critical Mass 2009.

My Paris Flea Market photographs were recently shown at the Museu AfroBrasil in Sao Paulo, where director and curator Emanoel Araujo made a beautiful installation which included a gorgeous faux flea market nestled between 8x12’ wall-size enlargements of three of the images (and took me to two nearby flea markets and to his house for a fabulous lunch). Marché aux Puces, a print-on-demand book of the images on the Flea page of this website is available from blurb.

A book of all three sections of Hold is also available from blurb.

Images from my Rephotographing Atget are available in the book Paris Changing and were also recently on exhibit at the Sol Mednick Gallery at the University of the Arts in Philadelphia, the Art Gym at Marylhurst University and (less recently) at the George Eastman House, at ICP in New York and in Lafayette, Louisiana. Some of them can be found on the Lens Culture website.

3500 images by 20 photographers from my Portland Grid Project were shown in April 2007 at the Portland Art Center and can be seen at www.PortlandGridProject.com

You can also see my work at www.ElizabethLeach.com.

12x18” and 12x16” Archival inkjet prints of my non-panoramic images are $800, by the way, and 8x10” silver prints of the Atget work are $600. 24x36” Paris Flea Market digital c-prints are $2500 and 18x27” China prints are $1500. Panorama prices on request. Email me if you’re interested.

Christopher

Rauschenberg